Film Festival Studies – Seite 8 – film festival research studies

Förderfonds de⁺ Goethe-Institut launches new funding program for film festivals

21. Oktober 2021

In cooperation with the German Foreign Office, the Goethe-Institut is launching a new funding program for film festivals in Germany with an international focus. The Förderfonds de⁺ supports festivals that have an international profile or would like to develop one. The total amount of funding is 200,000 euros per year, and an external jury decides on the award in two rounds of calls for proposals each year. Film festivals and

Film Culture Check for the Bundestag Election: 8 Questions to 7 Parties on the Future of Cinema and Film Culture

20. September 2021

The Initiative Future Cinema+Film (IZK+F), an alliance of professional associations, interest groups and networks in film culture and the film industry, had asked seven political parties eight questions about their visions of the future of cinema and film culture, so-called Wahlprüfsteine. The questions take a critical look at a cinema situation characterized by disruptive change and, with the demand for more artistic diversity in German film, point to a necessary

Film festivals back as meeting places for film lovers as for filmmakers

13. Juli 2021

While the Berlinale Summer Special with 16 open-air venues (June 9-20) was celebrated as a summer fairy tale even before the first screening, while Cannes made surprising concessions to gender parity at the festival, which was postponed until July 6-17, and Tribecca prepared to extend its presence to the entire city of New York for the first time from June 9-20, Austria sent audiences and creatives alike into a veritable

Hollywood Foreign Press Association white to the core

6. Mai 2021

Even though the Hollywood Foreign Press Association, a the small circle of about 90 journalists with a California residency who award the Golden Globe every year, has been the subject of numerous scandals, it now seems that the privileged closed club can no longer legitimize its claim to power. For a long time, attempts had been made to evade movements in the film industry in the context of me too

European films in cinemas worldwide between a fragmented audience market and a flood of films

3. Mai 2021

Even if it is not possible to quantify the total market volume for theatrical films along their value chain based on consumer spending due to a lack of transparency, at least the window of theatrical exploitation, as one of four main market segments, can be more closely defined. A report published recently by the European Audiovisual Observatory reveals a surprising picture and confirms the trend towards a „flood of films“,

Insights into the FUTURE OF FILM CULTURE

3. Mai 2021

As part of the Initiative Zukunft Deutscher Film (Future of German Film initiative), this time the Frankfurt LICHTER Filmfest specifically took a European perspective to discuss central questions around FUTURE OF FILM CULTURE. Moderated by author of the Nostradamus Report and media analyst Johanna Koljonen, the discussion with Carlo Chatrian (Berlinale, Artistic Director), Sonja Heinen (European Film Promotion, CE), Laura Houlgatte (UNIC – International Union of Cinemas, CEO), Alby James

Review: Setting new standards for a film festival’s online edition (interview)

30. April 2021

It is exactly half a year that in the light of continuously rising Corona numbers the cinemas beside all cultural institutions in Germany were closed. 2020 not yet affected by the pandemic, the Berlinale had to (including the Berlinale Talents) like the European Film Market among other film festivals of the beginning of the year, including the Sundance Film Festival and the International Film Festival Rotterdam, implement their first online

Reflections on the role of cinema in an era of new dimensions of film consumption

30. April 2021

‘Cinema is not dead and film festivals are receiving an essential role’ is one of the essential statements of media industry expert Olivier Müller in a conversation with the artistic director of the Locarno Film Festival, Giona A. Nazarro. Another perspective in a picture that could not be more ambiguous: While ArcLight Hollywood, one of the top-selling U.S. cinemas of the Pacific Theaters no longer reopens, the world’s second largest

Attack from Hollywood – if you don’t move, you get moved

19. Februar 2021

With the recently published study „Attack from Hollywood„, Prof. Dr. Thorsten Hennig-Thurau from the University of Münster, confirms what many had long feared: Streamers are gradually taking over the audiovisual market! The fact that the Corona pandemic is proving an accelerant for conventional television is now being seen not only among the younger target groups, but also among the over-50s, who are becoming increasingly more enthusiastic about digital media consumption.

On Cinemascapes and Streaming Worlds – cinema industry, film critics and film festivals in discussion – Feb. 9, 2021, 7 p.m.

3. Februar 2021

With the Corona pandemic, streaming platforms have gained millions of new subscribers. Cinemas were forced to close, film festivals to go digital. While cinema allows collective experience of films, streaming offers private enjoyment. How can cinema and streaming programs complement one another? And how can cinema be saved for the future in the face of social distancing rules and underfunding? Since 2018, Jeanine Meerapfel has offered debates on film policy

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