Inventory analysis forms the basis for new film festival funding in Baden-Württemberg

While the third update of the Baden-Württemberg Film Concept in 2020 once again confirmed the growing cultural and social value of film festivals, it also came with an urgent recommendation that cultural policy decisions regarding the film festival sector should be based on empirically obtained data in the future. Against this backdrop, at the end of 2023, the Ministry of Science, Research, and the Arts of Baden-Württemberg commissioned an inventory

Read More

Support for Netzwerk Quote Ost’s demands through well-founded studies

Activists recently received strong support for Netzwerk Quote Ost’s demand to give East German (narrative) perspectives a platform alongside those of a small privileged circle of filmmakers such as Andreas Dresen, Leander Haußmann, and Christian Schwochow through two studies: One was the study commissioned by Producers of Germany (PROG) and conducted by Goldmedia East German Perspectives In Film and Series, and the other was the expanded study conducted by Hoferichter

Read More

Secretly and quietly Google (YouTube) has now entered the film market

Under the label 100 Zeros, the media giant is now entering the co-production and co-financing business in cooperation with Range Media Partners, a talent incubator and production company. With the aim of appealing to younger target groups in particular, 100 Zeros was already involved in the marketing of the German independent horror film “Cuckoo”. This makes it clear that Google’s interest is not solely focused on in-house productions.

From learning by doing to well-founded qualification schemes

Job profiles and qualifications – Symposium of the DOK.forum and the AG Filmfestival on 11/12.05.2025 in MunichFor many years, the film festival sector had produced the next generation of employees from within itself. The boom of the film festival sector, its professionalization and not least the strong expansion of its service catalog have long demanded the establishment of solid training and further education measures. In a symposium as part of

Read More

The release of the 12th Nostradamus Report May 19, 2025

Monday May 19, 2025, 10:00–11:15, Marché du Film, Main Stage (Riviera) & OnlineSince 2013, the Göteborg Film Festival’s Nostradamus initiative has provided forward-looking insights into the future of the audiovisual industry. Authored by media analyst Johanna Koljonen, the annual reports track emerging trends in business models, distribution, and audience behaviour, offering valuable guidance for industry professionals and policymakers across Europe. 

Sundance new home

After a selection process lasting almost a year, the choice for the world’s most important independent film festival has been made, the Sundance Film Festival will leave its longtime home in Park City, Utah, in 2027. It had been a tough application process, in which Boulder, CO positioned itself as the new festival location, while Park City fought to keep it and other cities such as Atlanta, Santa Fe and

Read More

European Work in Progress (EWIP) and the International Film Distribution Summit (IFDS) move from Cologne to Hamburg

While FILMFEST HAMBURG had already gradually expanded its industry program in recent years with the Explorer Conference, from this year’s edition onwards, in addition to presenting innovations and trends, it will also become one of the central networking platforms for the German and European film industry.With European Work in Progress and the International Film Distribution Summit, not only producers, distributors, world sales agents and festival curators as well as up-and-coming

Read More

Call for quotas for co-determination and participation by the “Eastern film and television industry”

The fact that representatives from East Germany are still severely underrepresented in the German media industry as a whole, as well as in the so-called new federal states, is difficult to understand 35 years after reunification. Even less acceptable, however, is the fact that audiovisual media offerings on TV and in cinemas, which are predominantly produced in the West, are still characterized by stereotypes of the East that are far

Read More

Anthology: Shaping Film Festivals In a Changing World

An open access publication, edited by Dorota Ostrowska and Tamara Falicov, which presents differentiated reflections by academics, film festival curators and historians on current challenges facing the film festival sectorin the context of post-pandemic realities and the impact of a global political crisis. Access can be found here

Lecture: The ecosystem of Chinese film festivals and their contribution to the diversity of film culture

A lecture by CAO Liuying, board member of the Shanghai Film Critics Association, on February 14, 2025 at 7:30 pm via ZoomThe Chinese film market is characterized by a large population base and a strong production landscape. Nevertheless, the distribution sector is increasingly struggling with growing homogenization. The scope for independent and low-budget films, especially arthouse, has been further restricted in recent years. The film festival landscape is trying to

Read More